Wednesday 26th August I have now applied 3 coats of paint to the walls and ceiling of me space. I am not impressed with the end result. It was a mistake to use silk emulsion, as it seems to highlight every bump and flaw in the surface! I am concerned that sounds from other installations might distract the viewer in my space – which is supposed to be without sound, apart from the clunking of the slide projector and the sound of the projector fans. Today I have begun to hang

TIME The three images which I use relate to different periods in my lifetime; the 60’s and 70’s. Many years have elapsed since the photographs were taken and the use of a slide projector is a reminder of an era when analogue images were captured on 35mm film and viewed to the accompaniment of the whirring and clicking of the projector. The projected analogue image contains every detail and is easy to see. It is this image which signifies the first thirty or so seconds of an

THE COLOUR RED My exhibition space needs to be a dark colour. Why? I want the viewer to have the experience of being within something and that something is the mind. If the viewer was to enter a white area it would seem like a continuation of most of our exhibition space - which is painted white to compliment, not compromise, the artwork. I am using projection, which requires darkness. My first thoughts were to paint my space black, but any dark shade will work. I can ch

I have been somewhat distracted over the past couple of weeks. This is due to the fact that I got married last Saturday. However, I have been continuing with my project and was able to meet with my supervisor. BBC Radio 4 – The Memory Experience 22nd July 200 Thursday 30th July Meet with my supervisor Look at …. • Holis Frampton Nostalgia • LUX BFI • Book about the above • Paul Ricoeur:- On Time & Narrative – Memory, History, Forgetting • Aby Warburg • Hal Foster; - Joachi