Update since last week

July 14, 2015

Friday 10th July

 

Feedback and thoughts form the Group Crit …

  • How will the viewer realize that my installation is about memory?

  • Linear time and non-linear  … how it links to memory

  • Hand held torches?

  • Use an image that everyone remembers?

  • Pressure pads for lighting?

  • Textiles in the surface design room – see Tom

 

Research

 

  • The film Blow Up

  • www.theothercinema.com

  • www2.tate.org.uk/naumen/process

  • Soundscapes – National Gallery

 

Saturday 11th July

 

The table-top printing press has arrived.  Spent time getting to grips with what it can do.  The acetate printing process works reasonably well – but it is not right for my current practice.  I will need to have my images printed at uni then come back and use the cellulite thinners printing process

 

Monday 13th July

 

  • Need better quality image and be mindful of losing resolution when enlarging

  • The image I have chosen is unforgettable.  How does this support the concept?

  • Keep to the original concept

  • Share my research with my supervisor

 

Tuesday 14th July

 

After meeting with my supervisor yesterday I am concentrating again on my proposal…..

 

Working title

The dissolution of now, wilting into then

 

What is being explored

  • This enquiry is based upon the fading of an experience as it is consigned to memory. 

  • It will also explore nostalgia as both a construct with biographical meaning and a channel for romanticism.

  •  

The enquiry will include deeper analysis of statements such as, The state of not knowing is a valuable one. [1] and  An absence of meaning opens up a rift in time [2]

The outcomes will determine the final title of the works.

 

 

 

 

[1] Lee, R.  speaking at  Arts re Search Conference, Oxford Brookes University, 7th June 2015

 

 

[2] ibid

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