Update since last week

Friday 10th July

Feedback and thoughts form the Group Crit …

How will the viewer realize that my installation is about memory?
Linear time and non-linear … how it links to memory
Hand held torches?
Use an image that everyone remembers?
Pressure pads for lighting?
Textiles in the surface design room – see Tom

Research

The film Blow Up
www.theothercinema.com
www2.tate.org.uk/naumen/process
Soundscapes – National Gallery

Saturday 11th July

The table-top printing press has arrived. Spent time getting to grips with what it can do. The acetate printing process works reasonably well – but it is not right for my current practice. I will need to have my images printed at uni then come back and use the cellulite thinners printing process

Monday 13th July

Need better quality image and be mindful of losing resolution when enlarging
The image I have chosen is unforgettable. How does this support the concept?
Keep to the original concept
Share my research with my supervisor

Tuesday 14th July

After meeting with my supervisor yesterday I am concentrating again on my proposal…..

Working title

The dissolution of now, wilting into then

What is being explored

This enquiry is based upon the fading of an experience as it is consigned to memory.
It will also explore nostalgia as both a construct with biographical meaning and a channel for romanticism.

The enquiry will include deeper analysis of statements such as, The state of not knowing is a valuable one. [1] and An absence of meaning opens up a rift in time [2]

The outcomes will determine the final title of the works.